A round metal wall sculpture by Michael Aram, viewed from the front against a stark white background. The piece is composed of a dense, intricate lattice of fine, dark metal wire or twigs woven together to create a textured, web-like pattern. The structure curves inward like a funnel or a vortex, sloping down toward a clean, circular opening in the exact center, creating a strong sense of depth and dimensionality.
A round metal wall sculpture by Michael Aram, viewed from the front against a stark white background. The piece is composed of a dense, intricate lattice of fine, dark metal wire or twigs woven together to create a textured, web-like pattern. The structure curves inward like a funnel or a vortex, sloping down toward a clean, circular opening in the exact center, creating a strong sense of depth and dimensionality.
A round metal wall sculpture by Michael Aram, viewed from the front against a stark white background. The piece is composed of a dense, intricate lattice of fine, dark metal wire or twigs woven together to create a textured, web-like pattern. The structure curves inward like a funnel or a vortex, sloping down toward a clean, circular opening in the exact center, creating a strong sense of depth and dimensionality.
A round metal wall sculpture by Michael Aram, viewed from the front against a stark white background. The piece is composed of a dense, intricate lattice of fine, dark metal wire or twigs woven together to create a textured, web-like pattern. The structure curves inward like a funnel or a vortex, sloping down toward a clean, circular opening in the exact center, creating a strong sense of depth and dimensionality.
A round metal wall sculpture by Michael Aram, viewed from the front against a stark white background. The piece is composed of a dense, intricate lattice of fine, dark metal wire or twigs woven together to create a textured, web-like pattern. The structure curves inward like a funnel or a vortex, sloping down toward a clean, circular opening in the exact center, creating a strong sense of depth and dimensionality.
A round metal wall sculpture by Michael Aram, viewed from the front against a stark white background. The piece is composed of a dense, intricate lattice of fine, dark metal wire or twigs woven together to create a textured, web-like pattern. The structure curves inward like a funnel or a vortex, sloping down toward a clean, circular opening in the exact center, creating a strong sense of depth and dimensionality.
A round metal wall sculpture by Michael Aram, viewed from the front against a stark white background. The piece is composed of a dense, intricate lattice of fine, dark metal wire or twigs woven together to create a textured, web-like pattern. The structure curves inward like a funnel or a vortex, sloping down toward a clean, circular opening in the exact center, creating a strong sense of depth and dimensionality.
A round metal wall sculpture by Michael Aram, viewed from the front against a stark white background. The piece is composed of a dense, intricate lattice of fine, dark metal wire or twigs woven together to create a textured, web-like pattern. The structure curves inward like a funnel or a vortex, sloping down toward a clean, circular opening in the exact center, creating a strong sense of depth and dimensionality.
A round metal wall sculpture by Michael Aram, viewed from the front against a stark white background. The piece is composed of a dense, intricate lattice of fine, dark metal wire or twigs woven together to create a textured, web-like pattern. The structure curves inward like a funnel or a vortex, sloping down toward a clean, circular opening in the exact center, creating a strong sense of depth and dimensionality.
A round metal wall sculpture by Michael Aram, viewed from the front against a stark white background. The piece is composed of a dense, intricate lattice of fine, dark metal wire or twigs woven together to create a textured, web-like pattern. The structure curves inward like a funnel or a vortex, sloping down toward a clean, circular opening in the exact center, creating a strong sense of depth and dimensionality.
A round metal wall sculpture by Michael Aram, viewed from the front against a stark white background. The piece is composed of a dense, intricate lattice of fine, dark metal wire or twigs woven together to create a textured, web-like pattern. The structure curves inward like a funnel or a vortex, sloping down toward a clean, circular opening in the exact center, creating a strong sense of depth and dimensionality.
A round metal wall sculpture by Michael Aram, viewed from the front against a stark white background. The piece is composed of a dense, intricate lattice of fine, dark metal wire or twigs woven together to create a textured, web-like pattern. The structure curves inward like a funnel or a vortex, sloping down toward a clean, circular opening in the exact center, creating a strong sense of depth and dimensionality.
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Michael Aram Monumental Vortex Wall Sculpture Welded Steel and Patinated Copper

$4,200.00

45 1/2”Diameter x 12”H Center: 9”Diameter 

In this commanding, large-scale wall sculpture, Michael Aram masterfully bridges the gap between industrial rigidity and organic fluidity through a sophisticated manipulation of raw metals. Spanning over forty-five inches in diameter, the piece unfolds as a sweeping, kinetic vortex rendered entirely in welded steel and patinated copper. Hundreds of meticulously cut and fused steel filaments radiate outward from a stark, negative central void, mimicking the natural, mesmerizing architecture of a whirlpool or a celestial gravitational pull.

The sculpture’s complex, woven matrix catches the light dynamically, a result of Aram’s nuanced interplay of mediums. The cold, industrial structural integrity of the steel is softened and warmed by a rich, multi-toned copper patination that introduces deep, earthy undertones. Close inspection reveals the artist’s hand in every fused intersection, where the heavily textured, overlapping welds give the metallic web a surprising, almost textile-like quality.

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Rising twelve inches from the wall at its outermost perimeter before plunging steeply toward its open center, the work aggressively plays with depth, material mass, and shadow. It does not merely sit on the wall; it interacts with it, casting an intricate, ever-shifting shadow play that transforms the surrounding space. This is a brilliant exploration of material tension—where heavy, industrial steel and copper read as weightless lace, and a rigid geometric circle feels wildly, breathtakingly alive.

Early 2000's


 

 

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